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adamwilt.com > Origin8 Video | copyright © 2004-2007 Adam J. Wilt | |||||||||||||||||
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My day gig is as an engineer with Omneon Video Networks, but in my spare time I offer...
Production & postproduction services – over 20 years of experience in both film and video.
Equipment includes:
- Photography and lighting design and direction; camera operations and assisting; Steadicam
- Sound recording
- Live multicamera direction and technical direction
- Nonlinear editing and effects
- Fully portable location-based production using laptop nonlinear editing
- Film trained: I understand 24fps
- Panasonic AG-HVX200 HD/SD DVCPROHD camcorder; AG-DVX100 24p DV camcorder
- Sony HVR-Z1 1080i HDV camcorder; DSR-PD150 DVCAM camcorder
- Vinten Vision 3 tripod; Steadicam JR
- Panasonic BT-LH1700W HD/SD LCD field monitor
- Sound Devices 302 audio mixer; Sennheiser ME80 short shotgun, two Sony WRR/WRT-28 wireless ECM-77 lavaliers; two Shure wired lavaliers; other mics
- Lowel Tota-lights with Chimeras and reflectors
- Final Cut Pro 5 on a dual G5 or MacBook Pro C2D, including 1920x1200 preview display (HP L2335)
Gigs of interest in this century:
Consulting services. Recent clients include:
- A/V coordinator, SMPTE Winter Conference, San Francisco CA, January 2000
- Lighting cameraman, "Bring It On", music video for The Sick, dir. Jean-Paul Bonjour, Capitol Records, Alameda CA, April 2000
- Shooter/Editor, Worldcom tradeshow videos, for Tom Hanrahan, View One, Inc., Las Vegas NV, May 2000
- Cameraman, music videos for composer Jon Lukas, for Flying Moose Pictures, San Francisco CA, March 2001
- Cameraman / Steadicam op, clean-room video for DigiLens, Sunnyvale CA, February 2002
- Camera & sound for interviews, Ampex Oral History Project, Los Altos CA, February 2002
- Shooter/editor, corporate event, for Eyecon Video, San Francisco CA, October 2002
- Cameraman, Stanford Spectrum Conference, for POV Media's documentary “Interference”, March 2003
- Location sound recording, 1st AC, and 2nd unit photography, "Ambassador's Day", Copperopolis CA, Spring 2004
- Technical Coordinator, 10-camera (DVX100 & SDX900) concert photography for Dave Alvin and Los Straitjackets, director Joe Murray, DP Jordan Valenti, San Francisco CA, January 2005
- Cam op, Steadicam, technical direction, 3-camera documentaries for Kranky Kids, Los Altos CA, Spring 2005 - 2007
- Field crew, interviews & B roll, Purpose Prize documentaries for Friedkin Digital, various locations in CA, Spring 2007
Training in digital video technology, camera operation, production techniques, and nonlinear editing. Venues range from short seminars like the ones at DV Expo to focused classes for clients like California POST and the Monterey Bay Aquarium Research Institute.
- Equipment vendors (codec quality; user interface design; display technology simulation)
- The production community (technology evaluation, system and process troubleshooting, workflow design, camera tests, generalized production and postproduction consulting)
- Investment banks and venture capitalists (video technology and marketplace perspectives)
Contact me for details and rates. Since I have a day job, I generally require at least two weeks notice before a gig.
Currently booked solid through October 2007
Via email (preferred) - 650-533-5172 SF/SJ - 310-279-6941 LA
(Origin8 Video has no relationship to www.origin8.com, a website design firm)
Last updated 2007.05.23