- turns spot metering on and off. The “spot” is shown as a framing target onscreen; you can drag it to cover your point of interest. Spot metering affects camera exposure, waveform monitor levels, and light meter readings only; it does not change the area of the picture that is displayed onscreen or measured in the waveform monitor. Spot metering only affects exposure, not white balance. When spot metering is off, the button background is black, and the status line at the bottom of the meter window shows “MATRIX”. When spot metering is on, the button background is cyan, and the status line shows “SPOT”.
- (Exposure Lock) locks the auto-exposure function of your iDevice’s camera. The camera’s exposure level will be frozen and the light meter’s reading will be fixed. You can change the light meter’s ISO and shutter, and aperture will change appropriately, but the exposure reading itself is locked. When exposure is unlocked, the button background is black. When exposure is locked, the button background is cyan, and the status line at the bottom of the meter window shows “EXPOSURE LOCKED”.
- (White Balance Lock) freezes the current white balance setting. If you use to grab the color balance while looking at a white or gray card lit by your reference lighting source, you can then use the RGB waveform monitor to view relative color balances elsewhere in your scene, or check the purity and separation of your greenscreen or bluescreen backgrounds. When white balance is unlocked, the button background is black. When white balance is locked, the button background is cyan, and the status line at the bottom of the meter window shows “WHITE BALANCE LOCKED”.
- FalseColor turns the camera picture into a monochrome view with color-coded brightness levels. You can customize the false-color levels shown. When false color is off, the button background is black. When false color is on, the button background is cyan.
- Frame / 1 Line toggles the waveform monitor between full-frame and single-line modes. Frame mode measures brightness across the entire picture, while single-line mode measures the brightness across a single horizontal "scanline" running across the center of the picture. When 1 Line is selected, a guideline on the camera picture shows the line that’s being measured.
- / / sets the waveform monitor to show a brightness or luma (Y) signal, RGB levels, or both luma and RGB.
- opens the Settings and Info page with lesser-used controls.
- Tap and Drag the Camera Picture to set the spot metering point. (Tap
and drag only works when in spot metering mode).
- Tap the False-Color Camera Picture to show the sliders for the false-color levels. Tap the picture again to hide the controls. (This tap only works in False-color mode.)
You can move the sliders while watching the image; the frame rate will drop while you adjust the levels, but you’ll still be able to see what you're doing.
To disable red or yellow, slide its slider all the way to the right (“above 100%”). To disable blue, purple, or green, slide its slider all the way to the left (“below 0%”).
The color logic is set up for an orderly progression of levels as shown above. If you get creative, you'll discover that purple has priority over blue and blue over green; all three have priority over the highlight colors, but red has priority over yellow.
- TAP and HOLD the Camera Picture for two seconds to reveal onscreen data display, showing the camera's raw exposure data and a few calculated values, mostly for debugging purposes.
- Tap the waveform monitor to show Intensity and Overlay sliders. These control the brightness of the waveform trace and the scale overlay. Tap the waveform monitor again to hide the controls.
- Tap the Light Meter to show ISO Rating and Shutter Speed sliders.
As you adjust ISO and shutter, the aperture will change accordingly. When you have the values you want, tap the light meter display again to dismiss the controls.
(This version of Cine Meter uses a shutter-priority meter: you set ISO and shutter, and aperture changes accordingly. This is usually what cinematographers want. Stills shooters sometimes want aperture-priority metering; version 2 of Cine Meter will offer this mode as well.)
- Meter Compensation lets you adjust Cine Meter's exposure to match an external meter. You can tweak compensation by +/- 5 stops, in tenth-stop increments.
- Cine Mode Speeds shows you shutter speeds as frames per second (fps) instead of shutter time in seconds. Fps mode assumes a 180º shutter and doesn’t necessarily show you flicker-free exposures available in seconds mode, because flicker-free exposures often require opening or closing the shutter angle.
- Aperture Display lets you choose how apertures are shown: by halves or thirds; showing decimal values (good for cameras with electronic aperture readouts) or fractions (good for cine-style lenses); or as a raw decimal readout (not very useful in daily life, but it can be handy during calibration).
- Spotmeter Frame gives you several choices for the onscreen frame showing the spot metering area.
- Levels Reminder displays “Picture and waveform levels
often do not match meter readings” when Cine Meter starts up. It's a cautionary reminder
so you won’t relate waveform monitor and false-color levels directly to the light meter
readings, due to limitations described
here. You can turn off the reminder, but then it’s up to you to remember
these limitations and not be fooled by them.
- Help shows a limited subset of this help.
- Send Feedback opens an email composer window, with the to: address
and the subject: already filled in. Send me your comments, suggestions, feature
requests, questions, and/or bug reports, and I’ll respond as soon as I can. Please
use Send Feedback; it’s the quickest and best way to report problems or ask questions.
Make sure the Subject line contains “Cine Meter”, or
your message might get flagged as spam if you're sending from a
ChromaDuMonde® charts seen in Cine Meter screenshots
used with kind permission of DSC Labs. DSC Labs is not
responsible for any images viewed with Cine Meter, or how they appear in Cine Meter's
© 2013 Adam J. Wilt. Last updated 2013.01.27